"Warping keyboards, fuzz-banjo, blown-out drum machine beats and extremely catchy songwriting."

Upset The Rhythm

"Well, I don't know what the listeners thought but I thought it was fine, and the fact that you couldn't hear the lyrics, even though I am a big fan of lyrics, I thought it kind of added to the sense of it and it was good."

Jarvis Cocker

"I've had a hand-sent missive from Keith who says: 'I generously provide a copy of my latest home-made CD of solo recordings for you and your listener's pleasure. I suggest you put it on heavy rotation.'

Well, I don't know about that, but I'll certainly play a track."

Stuart Maconie

"                                                                 "

Tom Ravenscroft

(I missed the show where he played the tune so have no idea what he said about it)

"Interesting takes on the tunes."

John Dwyer of Thee Oh Sees' verdict on my EP of cover versions of his songs.

"Lo-fi brilliance."

Brighton Noise

"Impulsive, eccentric and melodic...the crowd loved it."

Brighton's Finest

"Minds were blown."

Chris from Crayola Lectern & ZOFFF

"10 out of 10 best use of an alarm clock in a song!"

Dani Charlton, Amazing Radio

"Wow!  Er...it's very loud isn't it...?"

Pete Jones, Radio Reverb

Fan Quotes:

"For the first time in a long time, I had that delightful sensation I was listening to something utterly and totally new.  Your recordings all have the feeling of a definite time and place that is practically unknown in ProTools Land and a sense of humor that somehow makes everything more poignant."

Vincent, via Facebook

"Just wanted to say how much I'm still enjoying listening to your music.  Brain's Day Out is amazing, love the 50s vibe of Sora, and I always like the little interlude-type pieces like Nine To Five.  It's like some kind of Beck/George Formby/Joe Meek hybrid, Scientology not included."

Damo, via email